Natural Magic

Emily Dickinson, Charles Darwin, and the Dawn of Modern Science

Renée Bergland | 2024, Princeton University Press

A captivating portrait of the poet and the scientist who shared an enchanted view of nature. Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. 

The world began to change in the 1830s while Darwin explored the Pacific aboard the HMS Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

Natural Magic intertwines the stories of these two luminary nineteenth-century minds, whose thoughts and writings captured the incredible possibilities of the new sciences while strove to preserve the magic of nature.

Just as Darwin’s work was informed by his roots in natural philosophy and his belief in the interconnectedness of all life, Dickinson’s poetry was shaped by her education in botany, astronomy, and chemistry and by her fascination with the enchanting possibilities of Darwinian science.

Casting their two very different careers in an entirely fresh light, Renée Bergland brings to life a time when ideas about science rapidly evolved, reshaped by poets, scientists, philosophers, and theologians alike. She paints a colourful portrait of a remarkable century that transformed how we see the natural world.

Illuminating and insightful, Natural Magic explores how Dickinson and Darwin refused to accept the separation of art and science. Today, more than ever, we need to reclaim their shared sense of ecological wonder.

Common eider

This duck stands out in colour matching. The common eider (Somateria mollissima L.) shows its yellow and green in an original palette and structure. It is a high-speed duck which can fly up to 113 km/h. Beauty and speed are a great combination.

Bibliography 

Kruf, J. (2024) Common eider [fine art print]. Breda: Private collection.

Evening Coastline

In the evening, along the coastline in South-East England, the contours of the cliffs become more pronounced and rocky. Time for reflection.

Bibliography

Kruf, J. (2024) Evening coastline [fine art print]. Breda: Private collection.

Le Sacre du Printemps

Het is lente. Een nieuw begin, zou Herman Gorter gezegd kunnen hebben. Ik luister naar muziek van Igor Stravinsky, zijn Le Sacre du Printemps (De Lentewijding, 1913) om preciezer te zijn. Elke lente luister ik ernaar. Het wordt elk jaar mooier en dieper. De muziek voert me mee naar de diepere lagen van de natuur. Ik wordt ondergedompeld, zelfs bijna onderdeel van dit jaargetijde. Het is alsof ik de lente steeds beter begin te begrijpen. Nu pas…

Het geldt als één van de meest revolutionaire werken van de 20e eeuw. De kracht van de ontwaking van de natuur kan niet beter worden uitgedrukt, zeker op 3′ 34″. De première vond plaats op 29 mei 1913 in het Théâtre des Champs-Élysées te Parijs. De zaal dacht: “Wat is dit?”.

Lees verder “Le Sacre du Printemps”

Pattern of Lobby

‘Lobby’ means ‘seek to influence (a legislator) on an issue’. The government (blue) is often surrounded by companies (yellow) influencing policy and decision-making on society’s chessboard. This is an art impression.

Bibliography

Kruf, J. (2024) Pattern of Lobby [fine art print]. Breda: Private collection.