Biome

Jack Kruf

A biome can be defined (Campbell, 1996) as” a major community on earth with a predominant vegetation and adapted organisms to that particular environment.” In fact the biomes of the present world can be considered as our major natural habitats. It is where biotic and abiotic elements of the ecosystems meet. It is in fact the place where biodiversity and resilience are made and engineered (by nature).

I designed – with the golden ratio in mind – these set of biomic landscapes. The Pantone® colours are hand-picked, corresponding with the biomes, for accurate colour management and print reproduction.

For home and office

The biomes are designed for a broad use and can be printed in a wide range of dimensions, from postcard to ‘museum’ dimensions. Here you fine a selection for the application for gallery, hall, home, office, outdoor and public space. Showcasing them in rooms where people meet, raises the awareness of the treasuries of Mother Earth.

In the office you can express and communicate your core philosophy and business approach with your clients and customers. You can make a true statement with your wall-art.

My motto: “A wisdom on the wall is a window to the world”. Knowing where you are, is the first step towards proper navigation. Note: The colours in the slides may differ from those of the actual prints. Every design is available as an open edition print.

Arctic biome

The Arctic and Antarctic stretch out in the polar regions, consisting of frozen land and seas. It are unique area’s among Earth’s ecosystems, because of their cold and extreme conditions. Life includes organisms living in the ice, zooplankton and phytoplankton, fish and marine mammals, birds, land animals, plants and at the arctic also human societies. They belong to the arctic biome.

Coral reef (biome)

Coral reefs are in fact part of the marine biome, often called “rainforests of the sea”, and form some of Earth’s most diverse ecosystems. They occupy less than 0.1% of the world’s ocean area (half the area of France), yet provide a home for at least 25% of all marine species.

Desert biome

The desert is a region so arid because of little rainfall that it supports only sparse and widely spaced vegetation or no vegetation at all. It belongs to the desert biome.

Forest biome

This is a biological community that is dominated by trees and other woody vegetation. More than one half of tropical forests have already been destroyed. Only scattered remnants of original temperate forests remain. Current extensive logging in boreal forests may soon cause their disappearance. There are three major types of forests; tropical rainforest, temperate forest and boreal forest (taiga).

Freshwater biome

3% of earth’s water is freshwater and about 70% of that is sequestered in polar ice. There are wetlands inundated with water, streams and rivers with running water and ponds and lakes with accumulating water.

Grassland biome

Grasslands are characterized as lands dominated by grasses. Continental climate (hot and dry) is favourable for grasses rather than for large shrubs or trees. There are savannas, prairies and steppes.

Marine biome

The marine biome dominates the surface of the Earth, covering about three-quarters of the Earth’s surface area. The world’s oceans contain the richest diversity of species of any space on Earth. Rainwater for land areas is supplied by the evaporation of ocean waters. There are oceans, coral reefs, and estuaries.

Tundra biome

The tundra is characterized as lands with shrubby vegetation, composed of dwarf shrubs, sedges and grasses, mosses, and lichens, which is adapted to harsh conditions with an extremely cold climate. The biodiversity is low, there is poor nutrients availability and little precipitation with a short season (the Arctic summer) of growth and reproduction. There are alpine and arctic tundras.

Bibliography

Campbell, N. (1996) Biology 3th edn. California Menlo Park: The Benjamin/Cummings Publishing Company

Climate Book

We still have time to change the world. From Greta Thunberg, the world’s leading climate activist, comes the essential handbook for making it happen. It is published by Allen Lane, Penguin Random House.

You might think it’s an impossible task: secure a safe future for life on Earth, at a scale and speed never seen, against all the odds. There is hope – but only if we listen to the science before it’s too late.

In The Climate Book, Greta Thunberg has gathered the wisdom of over one hundred experts – geophysicists, oceanographers and meteorologists; engineers, economists and mathematicians; historians, philosophers and indigenous leaders – to equip us all with the knowledge we need to combat climate disaster.

The crisis cannot be addressed, she writes, without talking about ‘morality, justice, shame, responsibility and guilt’

Alongside them, she shares her own stories of demonstrating and uncovering greenwashing around the world, revealing how much we have been kept in the dark. This is one of our biggest challenges, she shows, but also our greatest source of hope. Once we are given the full picture, how can we not act? And if a schoolchild’s strike could ignite a global protest, what could we do collectively if we tried?

We are alive at the most decisive time in the history of humanity. Together, we can do the seemingly impossible. But it has to be us, and it has to be now.

“One phrase from entomologist Dave Goulson seems to summarise all 464 pages: “It is not quite too late.” Emphasis on the quite.”

The last quote is from the Professor of Biology at University of Sussex, specializing in bee ecology, in the essay The Climate Book, created by Greta Thunberg review – an angry call for action by  for the Guardian.

My Word

Jack Kruf

This matrix links the internal and external drive to that of the language domain. It is often used in communication within politics and government. Of course, it also applies to the private and business worlds and the personal domains. Our words often share a light behind the scenes. This diagram brings drives and words together.

Bron: De Graaf en Kunst (2009). Design My Word (2020) ©Jack Kruf

The maximum of both worlds is want, and if the external drive is higher than the internal must is used, vice versa that is may. If both are low then can is used. In the middle of the matrix, the word dare is positioned to cross over or break through the boundaries of a quadrant. The matrix is often used in communication, co-creation and design sessions within groups.

The spoken language can tell us a lot about the internal drive of those who use the word in relation to the need to act. Many present policy plans use the word must. The context here is the need for change, innovation, development, transition, and transformation related to climate, energy, water, cyber, circular, social care, finance, resilience, and ecosystem protection. Migrating to want would give a lot of power. Is this possible, maybe seduction and education?

My word can be considered as an indicator of where I am in the diagram. From there, navigation can start.

Bibliography

Graaf, A. de en Kunst, K. (2009) Einstein en de kunst van het zeilen: Praktijkboek over leiderschap en communicatie. Amsterdam: Uitgeverij SWP. link

Forest Biometrics

I designed an intelligent pawn, called Equoi. It is in essence a simple concept, like that of the barometer or thermometer. It measures the mood of an object, place or process. The pawn is virtually full of sensors. Its application is easy: just put it on the table, ask your question, wait a moment and Equoi tells you the how and the what.

© Jack Kruf (2019) Forest Biometrics [3d-print]. Breda: Private collection
Here the global state of the forests is measured. What emerges is a result with a highly fragmented pattern. Indeed most of the forests are reduced, exploited, intersected. Deforestation has done its work and continues to do so. The left islands of forest, sometimes no more than ‘a group of trees’, are almost too small to survive as an ecosystem.

Kinderdijk Mills

© Jack Kruf (2021) Kinderdijk Mills [fine art print]. Breda: Private collection.

The mills at Kinderdijk on a cloudy winter day. These impressive artefacts show themselves as well as their reflections in this grey and misty landscape. This is an UNESCO World Heritage site at the Alblasserwaard, one of the oldest polders in The Netherlands.